Behind The Picture Frame (2025)

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Behind The Picture Frame

An onstage appearance photographed by David Gahr.

The location: Gerde's Folk City, where Dylan made his Greenwich Village debut and first performed compositions such as 'Blowin' In the Wind'.

Edition: 25 numbered prints, signed by Bob Dylan
Photographer: David Gahr
Dimensions: 50.8cm x 76.2cm (20" x 30")
Method: Archival Giclée using K3 Lightfast inks
Paper: 100% Cotton Hahnemuhle Photo Rag® 320gsm
Certificate: Numbered and signed by the publishers
Frame: Hard wood with acid free mount and UV Perspex

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Behind The Picture Frame

The late Jim Marshall took this portrait on the street one Sunday morning in Greenwich Village.

Jim Marshall recalled, "Bobby, his girlfriend Suze Rotolo, Dave Van Ronk and Terri Van Ronk all were going to breakfast".

Edition: 25 numbered prints, signed by Bob Dylan

Photographer: Jim Marshall

Dimensions: 50.8cm x 76.2cm (20" x 30")

Method: Archival Giclée using K3 Lightfast inks

Paper: 100% Cotton Hahnemuhle Photo Rag® 320gsm

Certificate: Numbered and signed by the publishers

Frame: Hard wood with acid free mount and UV Perspex

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Behind The Picture Frame

Backstage at the Newport Folk festival.

On 26th July 1963, Dylan's set list included 'With God On Our Side', 'Talkin' John Birch Paranoid Blues', 'A Hard Rain's A-Gonna Fall' and 'Blowin' In The Wind'.

Edition: 25 numbered prints, signed by Bob Dylan
Photographer: Jim Marshall
Dimensions: 50.8cm x 76.2cm (20" x 30")
Method: Archival Giclée using K3 Lightfast inks
Paper: 100% Cotton Hahnemuhle Photo Rag® 320gsm
Certificate: Numbered and signed by the publishers
Frame: Hard wood with acid free mount and UV Perspex

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Behind The Picture Frame

Photographed by Jim Marshall in Columbia's Recording Studio A.

A moment of repose during the making of The Freewheelin' Bob Dylan, the album that 'transformed American songwriting' (Rolling Stone).

Edition: 25 numbered prints, signed by Bob Dylan
Photographer: Jim Marshall
Dimensions: 50.8cm x 76.2cm (20" x 30")
Method: Archival Giclée using K3 Lightfast inks
Paper: 100% Cotton Hahnemuhle Photo Rag® 320gsm
Certificate: Numbered and signed by the publishers
Frame: Hard wood with acid free mount and UV Perspex

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Behind The Picture Frame

Recording the third studio album.

Recording work began on 6th August 1963 and continued into the autumn. The eventual release, the following January, included the classic ballad 'Boots of Spanish Leather'.

Edition: 25 numbered prints, signed by Bob Dylan

Photographer: Don Hunstein

Dimensions: 50.8cm x 76.2cm (20" x 30")

Method: Archival Giclée using K3 Lightfast inks

Paper: 100% Cotton Hahnemuhle Photo Rag® 320gsm

Certificate: Numbered and signed by the publishers

Frame: Hard wood with acid free mount and UV Perspex

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Behind The Picture Frame

Columbia's staff photographer, Sandy Speiser, captured this iconic portrait near Times Square, New York.

This enduring image appeared on the cover for Another Side of Bob Dylan, released August 1964.

Edition: 25 numbered prints, signed by Bob Dylan

Photographer: Sandy Speiser

Dimensions: 50.8cm x 76.2cm (20" x 30")

Method: Archival Giclée using K3 Lightfast inks

Paper: 100% Cotton Hahnemuhle Photo Rag® 320gsm

Certificate: Numbered and signed by the publishers

Frame: Hard wood with acid free mount and UV Perspex

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Behind The Picture Frame

"I have always admired his courage," says photographer Daniel Kramer.

Kramer spent time on the road during 1964-65, and photographed the covers for Bringing It All Back Home and Highway 61 Revisited.

Edition: 25 numbered prints, signed by Bob Dylan

Photographer: Daniel Kramer

Dimensions: 50.8cm x 76.2cm (20" x 30")

Method: Archival Giclée using K3 Lightfast inks

Paper: 100% Cotton Hahnemuhle Photo Rag® 320gsm

Certificate: Numbered and signed by the publishers

Frame: Hard wood with acid free mount and UV Perspex

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Behind The Picture Frame

A rare outtake from a studio session with Daniel Kramer.

An alternate colourised portrait from the same day appeared twenty years later, on the cover of the 1985 Biograph box set.

Edition: 25 numbered prints, signed by Bob Dylan

Photographer: Daniel Kramer

Dimensions: 50.8cm x 76.2cm (20" x 30")

Method: Archival Giclée using K3 Lightfast inks

Paper: 100% Cotton Hahnemuhle Photo Rag® 320gsm

Certificate: Numbered and signed by the publishers

Frame: Hard wood with acid free mount and UV Perspex


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Behind The Picture Frame

Sunglasses set aside with a Fender Jazz Bass in hand.

This portrait was taken by Don Hunstein between sessions for Blonde On Blonde. Completed in Nashville, the album is ranked one of the greatest of all time.

Edition: 25 numbered prints, signed by Bob Dylan

Photographer: Don Hunstein

Dimensions: 50.8cm x 76.2cm (20" x 30")

Method: Archival Giclée using K3 Lightfast inks

Paper: 100% Cotton Hahnemuhle Photo Rag® 320gsm

Certificate: Numbered and signed by the publishers

Frame: Hard wood with acid free mount and UV Perspex

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Behind The Picture Frame

The last night of 1966's legendary world tour was performed in London.

"On the way to the Albert Hall," photographer Barry Feinstein recalled, "all these people were trying to get a glimpse. He was oblivious. They were in awe."

Edition: 25 numbered prints, signed by Bob Dylan

Photographer: Barry Feinstein

Dimensions: 50.8cm x 76.2cm (20" x 30")

Method: Archival Giclée using K3 Lightfast inks

Paper: 100% Cotton Hahnemuhle Photo Rag® 320gsm

Certificate: Numbered and signed by the publishers

Frame: Hard wood with acid free mount and UV Perspex


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Behind The Picture Frame

Genesis prints are created using lightfast ink onto archival cotton rag paper. Bob Dylan has personally signed each museum-quality print. Each artwork comes with a numbered certificate, signed by the publishers.

Edition: 25 numbered prints, signed by Bob Dylan

Dimensions: 50.8cm x 76.2cm (20" x 30")

Method: Archival Giclée using K3 Lightfast inks

Paper: 100% Cotton Hahnemuhle Photo Rag® 320gsm

Certificate: Numbered and signed by the publishers

Prints come framed or unframed. Please select your preferred option when purchasing below.

If you would like to collect the entire Behind The Picture Frame series, please contact Genesis to discuss the addition of a complimentary archival case to house your prints (+44 (0) 1483 540970 or info@genesis-publications.com).

Behind The Picture Frame (2025)
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